Terrific Terry Gilliam article

Check out this awesome article about Terry Gilliam in today's LATimes.  

I confess that I haven't seen a Gilliam movie in years, and I remember that his work contained at least as many moments of revulsion as there were visions of transcendent grace. 

But in the end, it's the grace that remains with me.  (Uma Thurman on the Half-Shell in "Baron Munchausen," to name one - and above all, my favorite movie moment of all time: the extraordinary waltz in Grand Central in "Fisher King."  

And this article gave me a greater appreciation for what this director's gone through to make his films.  It made me want to revisit his body of work now that I'm older and wiser (?).  Anyway, enjoy!  

Shaving "The Moustache of Wisdom"

As someone interested in language – and its use, misuse, and abuse – I’ve long been a fan of Matt Taibbi’s epic takedowns of NYTimes columnist / pompous ass, Thomas Friedman. 

If you’ve never read Taibbi’s columns on the man he derides as “The Moustache of Wisdom,” please do yourself a favor and read them now.  (Links below.)  They are scathing, hilarious, profane, on-the-money - and they effectively point out that this Emperor of the Op-Ed page is wearing no clothes at all.  Or said another way, Taibbi's writing acts as a lens that makes it nearly impossible to see Friedman’s columns any other way.

If I'm being careful with metaphor here, it's because of Taibbi’s main takeaway: in every single column, Friedman’s language breaks down until it lacks sense completely… and that this breakdown of language leads Friedman to decidedly wrong conclusions about the world, how it works, and how the US should behave in affairs both foreign and domestic.

For example, see Taibbi's first whack at TF.  Money quote: “This would be a small thing were it not for the overall pattern. Thomas Friedman does not get these things right even by accident. It's not that he occasionally screws up and fails to make his metaphors and images agree. It's that he always screws it up. He has an anti-ear, and it's absolutely infallible; he is a Joyce or a Flaubert in reverse, incapable of rendering even the smallest details without genius. The difference between Friedman and an ordinary bad writer is that an ordinary bad writer will, say, call some businessman a shark and have him say some tired, uninspired piece of dialogue: Friedman will have him spout it. And that's guaranteed, every single time. He never misses.”  (Matt Taibbi, NYPress)

I won’t even try to compete with Taibbi, but I will say that with every new Friedman column I make a parlor game of trying to spot the moment where the columnist’s language breaks down into gibberish.  (What can I say?  Some people do crosswords or Sudoku, I pick apart Tom Friedman columns.) 

I’m sorry to say this is not a very difficult parlor game.  Take, for example, Friedman's entry in today’s NYTimes.  It features a cornucopia of banal analysis (er… “banalysis?”), such as the not-at-all-surprising revelation that the bubbling revolution in Syria is made up of freedom-seeking youth vs. tradition-bound oldsters, or the not-at-all-shocking conclusion that the past holds great sway on the present.   

But besides that, we get this little gem: "This is the grand drama now being played out in the Arab world — the deeply sincere youth-led quest for liberty and the deeply rooted quests for sectarian, factional, class and tribal advantage.  [Snip.]  The same drama played out in Iraq, but there the process was managed, at a huge cost, by an American midwife — managed enough so that the communities were able to write a new, rudimentary social contract on how to live together and, thereby, give the future a chance to bury the past. But we still do not know how it will end in Iraq." (Friedman, NYTimes)

I ask you: what kind of drama is managed by a midwife who helps write a social contract that buries the past?   Is that person who intervenes in the drama a director?  A writer?  A doula?  An undertaker?  All of the above?  None?  Some? 

Does this matter?  Well, Friedman is an influential columnist and author, who is paid richly to opine on the pages of the most famous newspaper in the world twice a week.  So, yes: I believe his breakdown of language and thought is worth examining, as are the wrongheaded conclusions that he draws.  

I’ll let Taibbi sum it up, as he does in this NY Press article.  The takeaway, said better than I can:

"Friedman’s language choices over the years have been highly revealing: When a man who thinks you need to break a vase to get the water out of it starts arguing that you need to invade a country in order to change the minds of its people, you might want to start paying attention to how his approach to the vase problem worked out.  Thomas Friedman is not a president, a pope, a general on the field of battle or any other kind of man of action. He doesn’t actually do anything apart from talk about sh*t in a newspaper. So in my mind it’s highly relevant if his manner of speaking is f*cked.”  (Taibbi, NYPress Bowdlerization mine: Ed.)

Here’s one more link to one more glorious Matt Taibbi smackdown of Tom Friedman.  

Good grief, how much do they pay Friedman to write this column?  As a writer or a thinker, the man is not worth his weight in mustache wax.

I know, I know...

I really should blog more! People have been asking for an update. Well, consider this a start.

It's not like I haven't been doing ANYTHING - in fact, things have been madly, wildly busy. And I've been thinking about switching blog platforms anyway, so I was wondering if I should put anything here at the moment, and that in part kep me away from the keyboard.

But consider this blogged! I'm back. More later, with specifics. Hope you're all well out there in the cyberworld.

NYC Reading of my play, "27 PIGS"

Dear Friends - I am SO excited to report that there's a reading today of my play, "27 Pigs".  It's at NYC's Shetler Studios at 3 PM and 7 PM.  Details below, including reservation email.

The amazing Melanie S. Armer's directing, and we have a tremendous cast and two wonderful producers.  Hope you can make it!  

*

27 Pigs

Written By Ed Valentine

Directed By Melanie S. Armer

Cast:

Erik Jensen*

Maureen Flannigan*

Jennifer Laine Williams*

Tyler Bunch*

Jeremy Gender*

*Denotes members of Actors Equity Association

Oren Oklahoma keeps his secret life under control – until his house is invaded by Iris, his 16-year-old runaway cousin with secrets of her own. And what of that very determined Pig who threatens to expose all their lies?

Presentation

October 17th, 3pm and 7pm

Shetler Studios

Penthouse 1

244 West 54th Street

Between Broadway and 8th Avenue

RSVP: 27pigsreading@gmail.com

Tonight please catch "Food Fight", one of my final 4 NEW Fairly Oddparents shows on Nick! (6 EDT). This one's an homage to Iron Chef.

Reminder: "Carnival of Curiosities", my night of plays, performing TONIGHT AND TOMORROW in NoHo

Reminder, LA friends: you have only 5 more chances to see CARNIVAL OF CURIOSITIES, an evening of short plays written by…. me! I'm so proud of this show - please don't miss it! (Bonus: cotton candy for sale in the lobby.)

Rapturous opening weekend, let's keep momentum going!

Fridays, June 10, & 17 @8pm / Saturdays, June 11, 18 @ 8PM / Sunday, June 19th @ 7PM
5215 Lankershim Blvd., NoHo Arts District

Reservations: (818) 377-4379 * http://w.mawebcenters.com/3ofakindtheatre

QUESTION: Should the Giant Squid become the ocean's mascot?

ANSWER: Duh!!!

WIRED and GAWKER weigh in.

CARNIVAL OF CURIOSITIES: my plays in North Hollywood this June!

Dear Friends:

Please join me for a special event premiering this Friday: 3-of-a-Kind Theater’s CARNIVAL OF CURIOSITIES, an evening of plays by…. someone named Ed Valentine!

Yes, it’s true: CARNIVAL features an entire program of my work: 6 short plays, including 5 world premieres.  The show runs in North Hollywood over the next three weekends and I’m proud to have my writing up and running, and presented so lovingly. 

The whole company is doing marvelous work.  All that’s missing now is YOU in the audience. 

So please join us! I would love to have you there as I send these sometimes wild (and, I hope, wonderfully enjoyable) plays out into the world. 

Details / dates / ticket info below, or feel free to write back with questions.  I hope to see you at the CARNIVAL OF CURIOSITIES.

Many thanks!

Ed

(PS: added incentive: cotton candy and popcorn for sale in the lobby!)

CARNIVAL OF CURIOSITIES

Presented by 3-of-a-Kind Theater

SHOW DATES:

Fridays, June 3, 10, & 17 @8pm

Saturdays, June 4, 11, 18 @ 8PM

Sunday, June 19th @ 7PM

THE NOHO ACTORS STUDIO

5215 Lankershim Blvd. 

NoHo Arts District

Tickets $8

Opening night: Friday June 3: “Pay what you can” night

*Reservations are strongly encouraged  - (818) 377-4379

http://w.mawebcenters.com/3ofakindtheatre/

THE PLAYS:

“State of the Union” (directed by Fulya Diner)

A tense young wife.  A startling State of the Union address.  A marriage unmoored.

“The Best Man” (directed by Itai Grunfeld and Kerri Grant)

The Best Man weeps while a new Bride daydreams of her honeymoon – and backwards chronology reveals the underlying passions behind the wedding veil.

“Six For Supper” (directed by Mauro Flores)

It’s Suppertime!  But is this a bright, shiny 1950’s family sitcom, or a Greek tragedy?  Only Uncle Milton knows for sure.

“Dangerous Baby” (directed by Itai Grunfeld and Kerri Grant)

A crib.  Two clown noses.  And an otherworldly infant.

“Mississippi Miracle Play” (directed by Mauro Flores)

Come one, come all!  See hymn-singing Siamese Twins, a Bible-spouting bearded lady, and a grifter’s faith shaken and stirred by a true-blue miracle.

“St. Christopher” (directed by Fulya Diner)

An astronaut in diapers.  A gun.  And a dog-faced saint.